Adams, Beverly. The Subject of Torture: The Art of Camnitzer, Nunez, Parra and Romero. (M.A. Thesis, University of Texas, Austin, 1992).

Advincula Carlos. “Catalina Parra en Lehman.” La Causa. (March 12, 1992).

Aranguiz, Carolina. “El otro diario de Catalina Parra,” La Nacion (August 3, 1992).

Ashton, Dore. Arts (January 1984).

Baeza, Felipe, Jose Parra, Amalia Cross y Francisco Godoy Vega “Ensayos sobre Artes Visuales.Practicas y discursos de los anos setenta y ochenta en Chile” LOM Ediciones (2012).

Bindis, Ricardo. “El arte de Catalina Parra,” La Tercera (August 16, 1992).

Cardone, Ines Maria. “Hablando Claro,” Buen Domingo. La Tercera de la Hora[Santiago, Chile] (November 1983).

“Catalina Parra: Galeria Epoca,” Revista Paula (Octubre 1977).

Christ, Ronald. “Catalina Parra and the Meaning of Materials,” Arts Canada (March/April 1981):3-7

_____.“Modern Art in Latin America: Art and Nation through Individual Discovery,” Arts Canada (January 1979/1980).

_____.“Preterite Ghosts,” Arts Magazine (February 1978):22.

_____.“Shades of Shadows,” In Praise of Shadows: Catalina Parra [ex cat]. New York: Yvonne Seguy Gallery, 1983.

Christ, Ronald, and Julia P. Hertzberg. Catalina Parra in Retrospect [ex cat]. New York: Lehman College Art Gallery, Lehman College, The City University of New York, 1991.

Christ, Ronald and Dennis Dollens. New York: Nomadic Design. Barcelona, New York: Gustavo Gili, 1993.

Christ, Ronald and Coco Fusco. Catalina Parra[ex cat]. New York: INTAR, 1991.

D’Albuquerque, Lucia, “El anti arte de Catalina Parra,” El Mercurio Revista Del Domingo [Santiago, Chile] (October 1977).

Diaz,Eva. “Catalina Parra: Ludlow38”. Artforum (2011).

Dittborn, Eugenio. “Imbunches, Catalina Parra,”V.I.S.U.A.L. (May 1977).

Diverse Roots, Diverse Forms: Six Latino Artist in the United States [videocassette, 28 min.]. New York: Phillip Morris, 1993.

Eltit, Diamela. “La Transparencia de la Mirada,” Catalina Parra a Bordeaux[ex cat]. Bordeaux, France: Conseil General Gironde and Galerie Zographia, 1990.

“En Agosto, Retrospectiva de Catalina Parra,” La Segunda (July 29, 1992).

Franco, Jean. “Interventions: The political Art of Catalina Parra,” Jersey City Museum (December 2001).

Franco, Jean. “Cruel Modernity: The Real of the Desert,” Duke University Press (2013)

Feijoo, Katia. “Catalina Parra, une conscience politique,” Catalina Parra a Bordeaux [ex cat]. Bordeaux, France: Conseil General Gironde and Galerie Zographia, 1990.

Fusco, Coco. English is Broken Here: Notes on Cultural Fusion in the Americas. New York: New Press, 1995.

Gajardo, Alejandra. “La retrospective de una Parra,” La Epoca (August 2, 1992).

Garrigues, Suzanne, Inverna Lockpez, and Barbara Price, eds. Rejoining the Spiritual in Contemporary Latin American Art. Baltimore: Maryland Institute College of Art, 1994.

Goldman, Shifra. “Dimensions of the Americas,” Art and Social Change in Latin America and the United States. Chicago: University of Chicago Press, 1993.

Grant, Daniel. “Life Just Below the Surface,” Artworkers News (March 1981).

Herreria, Michel. “Catalina Parra, un art de dire,” Artension (Sept.-Oct. 1990).

Hertzberg, Julia. “Re-membering Identity: Vision of Connections,” The Decade Show: Frameworks of Identity in the 1980s [ex cat]. New York: The New Museum, The Studio Museum in Harlem, The Museum of Contemporary Hispanic Art, 1990.

Hess, Elizabeth. “Breaking and Entering: The Decade Show,” The Village Voice (June 1990)

Installations: Judite Dos Santos and Catalina Parra [ex cat] New York: Dowd Fine Arts Gallery, State University of New York, College at Cortland, 1992.

Lesser, Claude. “A Proliferate Hispanic Achievement” Artspeak 5:4 (October 1983)

Lippard, Lucy. Mixed Blessings: New Art in a Multicultural America. (New York: Pantheon, 1990).

Lockpez, Inverna. Village Voice, Art Special (Spring 1989): 15.

Masiello, Francine. “El Arte de la Transcicion” Grupo Editorial Norma, Coleccion Vitral Argentina 2001.

Mesquita, Ivo, et al. American Visions: Artistic and Cultural Identity in the Western Hemisphere. New York: ACA Books, Allworth Press, 1994.

Montero, Beatriz. “Con Lenguaje Nuevo,” El Mercurio (August 22, 1992).

Morgan, Robert. Arts Magazine 63 (March 1989):101.

______. Arts Magazine 62 (January 1988): 105-6.

______.”Three South American Women Artist,” High Performance 9:3 (1986): 58-62.

Ossa, Nena “Mirando 1977 hacia atras” El Mercurio 1978.

“Otra Parra en el Museo” Hoy (Agosto 3-9, 1992).

Pedraza, Gonzalo. “Paisaje y Visualidad en el Arte Chileno Contemporaneo”. Incubo (2008).

Poroner, Palmer. “Catalina Parra on our present human condition,” Artspeak 5:6 (November 1986).

Raven, Arlene. “Stitch in Time” Village Voice (February 11, 1992).

Rojas, Sergio. “Una Rasgadura en la Representacion” Presencia Chilena en la II Bienal Internacional de Arte de Buenos Aires.(2002).

Rosa, Maria Laura. “El Espacio, La Palabra, El cuerpo. Catalina Parra y Buenos Aires” Arcimboldo (2010)

_____. “La Libertad deambular sola” Arcimboldo (2010).

_____. “La palabra como privacion del lenguaje” Arcimboldo (2010).

_____. “La certeza del cuerpo de estar ahi” Arcimboldo (2010).

Ryan, Dinah. “Coastal Exchange,” Art Papers (Sep.-Oct. 1990).

Sanchez A. Cynthia. “Latin American Women Artist”, Women Artist of Color. The African American Experience.

Schmidt, Bridget, Amy Richter. “Catalina Parra presents: USA Where Liberty is a Statue” At Times Square. Public Art Fund New York (February 24, 1987).

Sommer, Waldemar. “Catalina Parra ha vuelto” El Mercurio (Agosto 23, 1992).

_____.”1977: Ano de afirmaciones plasticas,” El Mercurio (Enero 1978).

_____.” A traves de rupturas y sublimaciones,” El Mercurio (1977).

_____.”El Espiritu de la Materia en Catalina Parra,” El Mercurio (1977).

Stein, Johanna Maria. “Catalina Parra: Manos e Imaginacion.” Que Pasa (November 1977).

_____. “Mozaico Internacional,” Que Pasa (November 1977).

Sullivan, Edward J. “Hispanidad?” View: The Photo Journal of Art (December 1988).

Tinker, Catherine. “Josely Carvahlo and Catalina Parra, a portrait of two Latin American Women artist living in New York.” Women Artist News (February 1982).

Torres, Ximena. “Nicanor Y Catalina: de tal palo a tal astilla.” Revista Paula (Santiago, Chile) (Junio 1990).

Ulibarre, Luisa. “Parra con nuevos frutos” Ercilla 2203 (1977).

Valdes, Cecilia. “Hago mi propio periodico,” El Mercurio (Agosto 16, 1992).

Valenzuela, Samuel. “Catalina Parra en el Museo de Arte Contemporaneo,” Las Ultimasd Noticias (Agosto 11, 1992).

“Disuelle Kunst in Santiago,” Condor (Noviembre 1977).